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Preview of CHAPTER TWO (Continued)


INFLIGHT 
Book #2  

Terror Bloodline Series

Book #2
Terror Bloodline Series



INFLIGHT  Book #2 


Terror Bloodline Series


Featuring Ex-CIA Agent, Jon Bradley



International fast-paced Action #Thriller 

# Suspense #Adventure 

#Crime  #Mystery


Books #2 INFLIGHT continues with the action oriented plot of dangerous and intriguing, multi-dimensional  characters revolving around a family sharing a terrorist bloodline, including their agenda of personal vendetta. 


Read here the Preview of CHAPTER TWO (Continued...)

    “Don’t you know, Sir, that Elaine…? Err… Ms. Townsend is Mr. Wainsford’s lady friend? He visits her often.  That’s how I have been able to see so much of him.  He even gave me two passes for his games.”

    “Besides Mr. Wainsford, would you know of any other frequent visitors to her apartment, who you may have seen or heard about?”
    
     “She does have visitors coming over from what I have heard my staff talk, but no one in particular I’d know.”  Then, he mulled over and said, “You could ask Jackie, my office-assistant, who brought you over to my office earlier.  Jackie has her ears attuned to the inside of the apartment walls, so it’s said, and is the source of all gossip in this building.  But she’s good at heart.” The man was grinning.

    “What about Ms. Townsend’s roommate?”

    “Ms. Clarke never returned to the apartment after she was attacked in the park.”

    “In the Apartment B2 Lease folder, the first six-month lease was made out in the name of Michael Cage.  What do you know about him? Did he really live here? And after that, it appears Ms. Samantha Clarke took over the apartment for a similar period.”     

    “I have been working here for the last few months only.  The person, Michael Cage, was gone before I joined, and Ms. Clarke was in possession of the apartment. Later she took Ms. Elaine Townsend as her roommate, after which the latter, herself, took over the lease.”       
    Arthur must have realized at some time as he spoke, that he was talking about Bradley’s ladyfriend.  Because he ended on a cautious note.     

    “All I know is that Ms. Clarke worked in the D.A.’s office.”     

    The real-estate office manager had not been able to provide him with any useful important.  But, he had pointed out to one promising source and that was Jackie, his overly talkative office assistant.

     “Thanks for sparing me so much of your time, Mr. Konige,” and then handing him over one of his FBI visiting cards, “If you should want to contact me, you can do so any time on my personal number listed on the card.”

    On his way out, he saw Jackie looking up from the counter, giving him a smile.  She was bespectacled, had a pretty oval face, bright blue eyes, short brown hair, and the air of an eager, restless youth, which she was in reality.     

    He approached her and casually inquired, “Jackie, what’s the name of the janitor who does the night watch?”
    
    She answered proudly, “He’s Jackson, my father. An ex-marine.”

    “That’s good to know.  What time does he come on duty?”

    “From 6:30 P.M. until 7:00 AM.”

    “That’s a long haul.”

    “But, he can always rest in between the early morning hours when most people are asleep,” she chatted away.

    “By the way, Jackie, what time do you finish work?”      She looked at the office clock on the wall and replied, “In about two hours’ time.”

    “Well, then, Jackie, I will return around that time.  You can introduce me to your father and then we can walk down to the nearby McDonald’s as I need to talk to you about my present investigation.”

    He noticed the startled expression in her eyes at the mention of the word, investigation, blurting out, “Sir, I know nothing…”

    Jon realized that he had frightened her and needed to calm her down.

    “Jackie, I assure you that you have nothing to fear.  Just answer a few questions over your favorite snack. You can always ask your ex-marine father to tame me down if I misbehave.  Do we have a deal?”

    The twenty years or something was back to her old self, “Yes Mr.…..”

    “Jonathan Bradley. See you later, young lady. Have a good day,” he wished her cheerfully.    

    After he had walked out of the real-estate office, he went to his car and sat in it while contemplating for the next few minutes over the new developments in the Samantha’s case.     

    Finally, he phoned Samantha.


                                            ***


Next: CHAPTER THREE
Greenwich Village, Manhattan 
Investigating Eugene Lewek’s Homicide


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PREVIEW of Chapter 3 (Continued)


TERROR BLOODLINE Series Book 1


CROSSFIRE   Book #1


Only $0.99 

Limited Time Offer until 

31st OCTOBER, 2015


CROSSFIRE  Book #1 



Terror Bloodline Series

Featuring Ex-CIA Agent, Jon Bradley



By Paul Rodricks


International fast-paced Action #Thriller 

# Suspense #Adventure 

#Crime  #Mystery


Reviews: 


"The fact that it is the first of three books makes Crossfire all that more compelling plus it's a fun to read. Paul POV shifts from telling a story to the illusion of real time which creates a healthy tension throughout. One of the finer elements in the book that helps make it authentic is the authors knowledge of the geo areas where the story takes place."


"The novel is multidimensional. There are several plot elements working simultaneously that the author handles with skill. The murder of his friend and the personal relationship between Jon and his lady friend, a rape victim, add depth to the novel. The story shifts between the current investigation and his previous, very dangerous, actions in Lebanon as a CIA operative."


Read here the Preview of the CHAPTER THREE (Continued) from this Thriller,                                                          
                                               CROSSFIRE


CHAPTER THREE (Continued)

New Jersey 1962 – New York 2002 
Jonathan Bradley


     
     “Sir, I will take care of it.”  The security-guard slowed the Embassy vehicle to a stop by the side of the road behind three other cars – one of them, an old beaten-up Mercedes taxi. Meantime, the line of cars behind them was growing, some impatient drivers honking almost non-stop.

     Suddenly, the scene was disturbed by the sound of squealing tires, some distance behind them.  People were getting out of their cars to see what was going on.

    Their driver was already out of the car before Robert joined him.  Bradley,however, preferred to remain seated inside the car.  
    
    Armstrong noticed a black Toyota Land Cruiser disappearing round the bend in the road.  A few moments later he heard the sound of the police-car siren.   

Then, he turned towards the checkpoint to see that one of stationary vehicles was approaching, and then going past them as the car sped up in the direction of the Land Cruiser.

Robert returned to his seat in the Embassy’s unmarked car and said to Bradley, “I will have to report this to Richard,” as he brought out his cellphone from his coat-pocket, and punched in the direct number of his superior.  Richard Darwin was the Beirut Station Chief, who would be Bradley’s present boss.

“Mr. Darwin, we are in a situation here. Nothing adverse so far. We are held up at a temporary checkpoint along the Hafez al Assad road, a few meters before the Abbas el Moussawi roundabout.  Jonathan Bradley’s beside me.  All his documents are in order.  Georges has gone ahead with our papers to speak to the Lebanese Officer at the checkpoint. Alright…,” he paused to listen, “Alright, I will call you back as soon as we are on our way again.” 

    Robert put off the phone, and turned to Jon. “He was anxious to know if they are militants. “

    Bradley, who was looking through the windshield, said to Robert, “The driver is returning.” 

    They saw the first car ahead of them, moving past the barricade, as Georges got in, “They will let us pass ahead of the other cars after checking you two for identification.”

    “What is the fuss about, Georges?”

    “There were armed clashes last night in Tripoli between two neighborhood enemy factions, resulting in some death and injuries.  Their leaders are on the run; one of them is a suspected terrorist.”

Robert raised his eyebrow at the security-guard, “They told you all this, Georges?”

Georges gave him a sheepish smile, “No… I learned the gist of it from my friends, who I talked with during the night, after finishing work.”
 
The out-going Case Officer knew about the Lebanese men’s passion for rallying around their kin and friends when a lot of assorted information and gossip is passed along.

Driving past the two cars lined up in front of them, Georges stopped short of the barricade.
 
Two officers came and stood on each side of the car while one of them briefly glanced at the faces of the Americans sitting inside the car, comparing his observations versus their passport details and photos, and then handed back the documents to Georges, saying with a vestige of a smile, “OK.  You can go,” as he waved at one of the guards to open the barricade and let them pass.

                               ***

     Next:  CHAPTER FOUR - The LAST PART OF THE BOOK  
                                                                      SAMPLE








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Paul Rodricks,  Author









SECTION 3 - Rhythm in Music

Creative Music Composing
Self-Teaching Manual



Releasing soon......

Self-Teaching Manual




By Paul Rodricks

Have you ever felt the urge to write your own songs? 
To compose your own lyrics and melody?
Are you a lyricist wishing to set music to your lyrics? 
Or a music composer desirous of writing the lyrics to
your music? Or a music lover and hobbyist wondering
how songs are crafted? 

If so, Creative Music Composing 
is just the right practical
self-teaching manual for you. Because Songwriting has
never been made so easy and simple.

The Manual  covers all the music aspects of Writing Melodies– melody notes, tonality of scales and harmony in chord progressions and rhythm. You begin from learning to create simple melodies to composing complete performing versions of songs by using the Digital Numbering System, the Solfeggio (do-re-mi) and ABCDEFG notation methods. 

Become a successful Songwriter.  Compose your
own Lyrics and Music to styles such as Pop, Rock,
Blues, Country, R&B, Jazz, Gospel and others.


Read here the Preview of the Section 3 from Creative Music Composing by Paul Rodricks:

Section 3

Take a music bath once or twice a week for a few seasons, and you’ll find that it is to the soul what the water bath is to the body.”
 – Oliver Wendell Holmes, Jr.

Rhythm in Music

Time Signatures
                      
    Before or in front of the Clef, at the beginning of each melody is the time-signature.
    We have two types of Time Signatures, Simple and Compound Time.
    The simple time, also known as the common time Signatures being:

 2/4
3/4
4/4
6/8

    The other simple Time Signatures are: 2/8, 2/2, 3/8, 3/2, 4/8 and 4/2
     Compound Time Signatures are: 6/4, 6/2, 9/8, 9/4, 9/2, 12/8, 12/4 and 12/2.

The Meaning of Time Signature

      The upper number indicates the number of “beats” in a bar or measure.  The “beat” is equivalent to tapping your foot in time [(down - and (up) in a quarter note] to music or the metronome
     
     Bottom number tells us what type of note gets one beat.  The bottom value is generally the number 4, which is a quarter note (1/4) receiving one beat. 
See below examples of the most common time signatures, namely 3/4 and 4/4 ones:

     Fig. 20 - Interpreting 3/4 Time Signature 


Fig. 21 – Interpreting 4 /4 Time Signature & Note Duration Values


Common Time                   
                  
    Letter C appearing in place of the time signature means Common Time, which is 4/4 time.
    You will also come across other time-signature of time values, such as 2/2, which is a faster tempo, known as cut-time and is represented other times as a C stricken with a (slash) /.

     Fig. 22  - Examples of Common and Cut Common Time Signature


Simple and Compound Time
               
    Then there are Uneven time signatures like 3/8, 5/4, 5/8, 7/8, 9/8, 11/8 and 12/8, rarely used in western music or songs, except some in Jazz music.
    These are Simple Time and Compound Time Notes:

    Fig. 23 - Simple & Compound Time Notes


                                                Simple        Compound

     For an example of 5/8 Uneven Time, there are 2 Beats to the Bar, one beat of Simple Time and one beat of Compound Time.  

      Fig. 24 - 5/8 Uneven Time      
                                                                        Triplet
                                                      1. Simple   2. Compound

     In the example of 9/8 Uneven Time below, we have 4 Beats to the Bar and three simple time beats and one compound time [triplet] beat.

     Fig. 25 - 9/8 Uneven Time 
                                                  1     2    3    4
               Simple          Compound


To be continued...



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Author: paulrodericks@gmail.com

                                          
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I invite your comments and queries. Thank you.

Paul Rodricks, 
Author.